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	<title>www.NicolaBattista.it &#169; &#174; &#9834; &#187; emi</title>
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	<description>Digital Rights Management - Intellectual Property Consultant</description>
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		<title>Musica digitale: King Crimson contro Grooveshark</title>
		<link>http://www.nicolabattista.it/king-crimson-contro-grooveshark.html</link>
		<comments>http://www.nicolabattista.it/king-crimson-contro-grooveshark.html#comments</comments>
		<pubDate>Tue, 18 Oct 2011 16:22:06 +0000</pubDate>
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		<category><![CDATA[copyright]]></category>
		<category><![CDATA[emi]]></category>
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		<description><![CDATA[<p>Sfida a distanza tra Grooveshark, servizio musicale emergente, e Robert Fripp dei King Crimson: una intricata storia di discografia &#38; copyright</p>]]></description>
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		<title>Bluebeat risarcisce EMI: no alla simulazione psicoacustica</title>
		<link>http://www.nicolabattista.it/bluebeat-risarcisce-emi-no-alla-simulazione-psicoacustica.html</link>
		<comments>http://www.nicolabattista.it/bluebeat-risarcisce-emi-no-alla-simulazione-psicoacustica.html#comments</comments>
		<pubDate>Tue, 29 Mar 2011 16:17:35 +0000</pubDate>
		<dc:creator>nb</dc:creator>
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		<category><![CDATA[apple]]></category>
		<category><![CDATA[beatles]]></category>
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		<category><![CDATA[emi]]></category>
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		<description><![CDATA[<p>Un bizzarro caso di copyright del 2009 si chiude, almeno in parte: EMI risarcita da Bluebeat per i brani dei Beatles</p>]]></description>
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		<title>Federal Law Protection on pre-1972 Recorded Music Masters in the United States?</title>
		<link>http://www.nicolabattista.it/federal-law-protection-on-pre-1972-recorded-music-masters-in-the-united-states.html</link>
		<comments>http://www.nicolabattista.it/federal-law-protection-on-pre-1972-recorded-music-masters-in-the-united-states.html#comments</comments>
		<pubDate>Thu, 13 Jan 2011 21:57:18 +0000</pubDate>
		<dc:creator>nb</dc:creator>
				<category><![CDATA[Articoli]]></category>
		<category><![CDATA[Documenti]]></category>
		<category><![CDATA[beatles]]></category>
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		<category><![CDATA[deep throat]]></category>
		<category><![CDATA[disney]]></category>
		<category><![CDATA[edison records]]></category>
		<category><![CDATA[emi]]></category>
		<category><![CDATA[english]]></category>
		<category><![CDATA[extension]]></category>
		<category><![CDATA[GATT]]></category>
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		<category><![CDATA[night of the living dead]]></category>
		<category><![CDATA[public domain]]></category>
		<category><![CDATA[sonny bono]]></category>
		<category><![CDATA[TRIPS]]></category>

		<guid isPermaLink="false">http://www.nicolabattista.it/?p=2214</guid>
		<description><![CDATA[I have read that the US Copyright Office is asking for opinions on the subject of Federal Law protection for recorded music masters. While this may just result in copyright owners lobbying trying to just a way for further copyright extensions, I thought to express some ideas about it. I am a copyright owner myself, [...]]]></description>
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		<title>Malcolm McLaren (1946-2010): the Ultimate Bastard.</title>
		<link>http://www.nicolabattista.it</link>
		<comments>http://www.nicolabattista.it#comments</comments>
		<pubDate>Fri, 09 Apr 2010 12:40:01 +0000</pubDate>
		<dc:creator>nb</dc:creator>
				<category><![CDATA[Articoli]]></category>
		<category><![CDATA[8-bit]]></category>
		<category><![CDATA[chip music]]></category>
		<category><![CDATA[emi]]></category>
		<category><![CDATA[english]]></category>
		<category><![CDATA[malcolm mclaren]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Musica]]></category>
		<category><![CDATA[obituaries]]></category>
		<category><![CDATA[plagiarism]]></category>
		<category><![CDATA[sampling]]></category>

		<guid isPermaLink="false">http://www.nicolabattista.it/?p=1263</guid>
		<description><![CDATA[It&#8217;s better to be a flamboyant failure than a benign success. Malcolm McLaren To be bad is good&#8230; to be good is simply boring Rose Corre Isaacs, grandmother of Malcolm McLaren He &#8220;invented&#8221; punk, scratching, vogueing and chip music, single-handedly. Or so it looked to many. ;) He wanted to run as Mayor of London [...]]]></description>
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		<title>Abbey Road: lo studio dei Beatles online, per tutti</title>
		<link>http://mytech.it/web/2009/09/01/abbey-road-lo-studio-dei-beatles-online-tutti/</link>
		<comments>http://mytech.it/web/2009/09/01/abbey-road-lo-studio-dei-beatles-online-tutti/#comments</comments>
		<pubDate>Tue, 01 Sep 2009 13:25:49 +0000</pubDate>
		<dc:creator>nb</dc:creator>
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		<category><![CDATA[beatles]]></category>
		<category><![CDATA[emi]]></category>
		<category><![CDATA[italiano]]></category>
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		<description><![CDATA[<p>Rivoluzione per lo studio dove lavoravano i Beatles: i suoi servizi disponibili anche online</p>]]></description>
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		<title>Project Playlist, arriva l’accordo con EMI</title>
		<link>http://mytech.it/web/2009/03/27/project-playlist-arriva-laccordo-con-emi/</link>
		<comments>http://mytech.it/web/2009/03/27/project-playlist-arriva-laccordo-con-emi/#comments</comments>
		<pubDate>Fri, 27 Mar 2009 06:47:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articoli]]></category>
		<category><![CDATA[emi]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[italiano]]></category>
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		<guid isPermaLink="false">http://www.nicolabattista.it/?p=342</guid>
		<description><![CDATA[Anche se ancora implicato in grane legali, Playlist.com trova l’accordo con EMI; e porta (potenzialmente) il secondo catalogo musicale di una major su pagine web e social network E&#8217; ufficiale: Project Playlist ha trovato un accordo con EMI; cos&#236;, il contestato Playlist.com si arricchisce, legalmente di un altro catalogo discografico in mano a una major, [...]]]></description>
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